The Shadows ~ Greatest Hits (1963)

A straightforward summary of the Shadows' first three years of habitual hit-making, opening with the pounding flurry of "Apache," then tracing through the next eight smash singles, with a handful of attendant B-sides (and one EP cut, the title track from The Boys) to round the package out. There is no denying the sheer brilliance of this early sequence. Hits like "Wonderful Land," "FBI," and "Man of Mystery" utterly rewrote the guitar's role in rock, not only musically, but culturally as well. Unquestionably, the Shadows' importance and impact diminished as the years passed, but at the outset of their career, the period documented here, they were untouchable. It is for that reason that The Shadows' Greatest Hits is still regarded in some quarters as the finest Shadows album of them all, an accolade which no other compilation (and goodness knows, there's been enough of them) has ever been able to dismiss. Even the sleeve screams "masterpiece."

tracks

01. Apache
02. Man Of Mystery
03. The Stranger
04. F.B.I.
05. Midnight
06. The Frightened City
07. Kon-Tiki
08. 36-24-36 [0:01:42.27]
09. The Savage
10. Peace Pipe
11. Wonderful Land
12. Stars Fell On Stockton [0:02:18.08]
13. Guitar Tango
14. The Boys
15. Dance On!

Herb Alpert ~ Bullish (1984)

Yes, Herb Alpert did indeed record an album in 1984 under the name Tijuana Brass for the first time in nine years -- and in fact, he took a Tijuana Brass contingent on tour that year with four of the original band members on hand. But this album has nothing to do with the old TJB, for the music is the same high-tech pop of the 1980s that Alpert had been mostly purveying since "Rise," and with synths galore, a frantic electronic dance beat on many numbers, and none of the original Brass on the sessions.

tracks

01. Bullish! (4:49)

02. Always have a dream (6:15)

03. Make a wish (4:35)

04. Maniac (3:51)

05. Struttin' on five (4:22)

06. Love without words (5:39)

07. Passion play (3:42)

08. Life is my song (6:27)

The New American Orchestra ~ Blade Runner

Orchestral adaptation of music composed for the motion picture by Vangelis

While Vangelis was relying almost exclusively on synthesizers and other electronic instruments, the new American Orchestra does it the old fashion way - the score was written for a jazz orchestra. Any attempts to compare the original soundtrack and orchestral rendition will do disservice to both, although I will always favor the orchestral arrangement. Some of the jazz licks that Vangelis incorporated into his music were often overshadowed by electronic effects. Here, through superb arrangements, they were nicely exploited using standard orchestral instruments. The real show stopper is "Blade Runner Blues" with a haunting trumpet solo. The synth technology has immensely advanced since 1982. Perhaps Vangelis could make some extra cash by re-arranging his music using cutting edge electronic instruments.
~Ars Nova~

tracks
01. Love Theme (4:16)
02. Main Title (5:05)
03. One More Kiss, Dear (4:02)
04. Memories Of Green (4:54)
05. End Title (4:18)
06. Blade Runner Blues (4:42)
07. Farewell (3:12)
08. End Title Reprise (3:05)

Esquivel ~ Other World Other Sounds (1958)

For his second American LP, released October 1958, Esquivelplays piano and provides arrangements not just for the 26-piece orchestra, but for the six-member Randy Van Horne Singers as well. The majority of the "singing" consists of various "zu," "ooh" and "ah" sounds, but that's all part of the charm. This three-day session was Esquivel's first opportunity to experiment with stereo recording. His dynamic use of the two-channel recording process is exciting and inventive. It's here that Esquivel's trademark sound starts to emerge. 'Course, most people probably bought the album because of the cosmic hottie on the cover and, I imagine, were amazed by Esquivel's quirky sound on first listen.

tracks

01 Granada
02 Begin The Beguine
03 Night And Day
04 Poinciana
05 Playfully
06 Adios
07 That Old Black Magic
08 Nature Boy
09 Magic Is The Moonlight
10 Speak Low
11 Ballerina
12 It Had To Be You
13 I Only Have Eyes For You
14 Anna (El Negro Zumbon)
15 Frenesi

Perez Prado ~ King of Mambo

Universally known as the King of the Mambo, Pérez Prado was the single most important musician involved in the hugely popular Latin dance craze.

Whether he actually created the rhythm is somewhat disputed, but it's abundantly clear that Prado developed it into a bright, swinging style with massive appeal for dancers of all backgrounds and classes.

Prado's mambo was filled with piercing high-register trumpets, undulating saxophone counterpoint, atmospheric organ (later on), and harmonic ideas borrowed from jazz. While his tight percussion arrangements allowed for little improvisation, they were dense and sharply focused, keeping the underlying syncopations easy for dancers to follow.

Prado played the piano, but was often more in his element as the focal point of the audience's excitement; he leaped, kicked, danced, shouted, grunted, and exhorted his musicians with a dynamic stage presence that put many more sedate conductors and bandleaders to shame.

With this blueprint, Prado brought mambo all the way into the pop mainstream, inspiring countless imitators and scoring two number one singles on the pop charts (albeit in a smoother vein than the fare that first made his name) as the fad snowballed.

He was a star throughout most of the Western Hemisphere during the '50s, and even after his popularity waned in the United States, he remained a widely respected figure in many Latin countries, especially his adopted home of Mexico. Prado is often best remembered for his softer, more commercial work, which has an undeniable kitschiness that plays well with modern-day lounge-revival hipsters.

Unfortunately, that has served to obscure his very real credentials in the realm of authentic, unadulterated Latin dance music, and to this day he remains somewhat under-appreciated.

tracks 1

tracks 2

01. Ciliegi Rosa (Cherry Pink And Apple Blossom White) (2:26)

02. Mambo Jambo (Que Rico El Mambo) (2:21)

03. Patricia (2:21)

04. Mambo N. 5 (2:09)

05. Maria Bonita (2:47)

06. Mambo N. 8 (2:05)

07. Cu-cu-rru-cu-cu-paloma (2:52)

08. Isle Of Capri (1:48)

09. In A Little Spanish Town (2:33)

10. Adios Pampa Mia (2:06)

11. Moliendo Cafe (1:51)

12. Always In My Heart (2:44)

13. La Raspa (2:34)

14. Taboo (2:19)

15. Perfidia (2:33)

16. Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) (2:18)

17. Frenesi (2:01)

18. You Belong To My Heart (2:43)

19. Alma Llanera (2:24)

20. Aquello Ojos Verdes (Green Eyes) (3:02)

21. Rockambo Baby (1:41)

22. Ay Ay Ay (2:15)

23. Tico Tico (1:49)

24. Mama Yo Quiero (2:05)

25. Adios (3:13)

Orchester Francis Lai ~ Goldstücke von Francis Lai

This collection is really exciting considering what it brings together: 62 tracks from various stages of Francis. Lai career. Surprisingly, there's very little by way of the "Man and A Woman" era. In other words, the tracks concentrate on the 70's/early 80's with by then "plucky" and synthesizer heavy arrangements. The big surprises, and there are a few, are the "Child Under a Leaf" tracks and the extra "Wings of Heart" tracks (the final 5 minute track on CD 3 being a real stunner). For those wishing to "catch up" on Mr. Lai's 1970/early 80's career (with rare tracks thrown in), this is highly recommended. Some tracks are taken from vinyl. All in all, a very nice collection worth owning and listening.

tracks 1
01. Anguish (4:25)
02. La Boule Rouge (2:16)
03. Child under a leaf (2:40)
04. Child under a leaf (2:31)
05. Child under a leaf (fin) (2:30)
06. Child's death (2:25)
07. Child's theme (4:50)
08. Dancing in the Night (3:47)
09. Amazonas (3:07)
10. Anette (3:27)
11. Ein Mann und eine Frau (3:14)
12. Karibische Nacht (3:40)
13. Linda (3:05)
14. Phantasie (3:34)
15. Puerto Rico (2:37)
16. Souvenir einer Sängerin (2:47)
17. Südseezauber (2:49)
18. Tanz der Mexikaner (3:13)
19. Domino and Josef (2:09)
20. Elisabeth et Giovanni (4:07)
21. Elisabeth et Giovanni (5:13)

tracks 2
01. Emmanuelle - L`amour d'aimer (2:57)
02. Emmanuelle - L`arrivee d`Emmanuelle (4:09)
03. Emmanuelle - La lecon d'amour d`Emmanuelle (4:04)
04. Emmanuelle - Le Jardin de jade (3:43)
05. Emmanuelle - Les fantasmes d`emmanuelle (5:35)
06. Emmanuelle - Rencontre a Bali (5:23)
07. Emmanuelle L`antivierge (1:50)
08. Emmanuelle L`antivierge (4:02)
09. Emmanuelle L`antivierge (2:54)
10. Et pour quoi pas une fanfare (1:30)
11. Smic smac smoc (2:23)
12. Generique (1:58)
13. It's gonna be one of this nights - langsam (4:05)
14. It's gonna be one of this nights - schnell (3:36)
15. Joseph's death (2:28)
16. La guihguetto (2:42)
17. La marche de occupation (2:30)
18. L'age tendre (3:01)
19. Le bon et les mechants (3:06)
20. Le bon et les mechants (2:53)
21. L'heure bleue (3:27)

tracks 3
01. Made in USA (2:56)
02. Nostalgia (2:56)
03. Par le sang des autres - Musik I (4:32)
04. Par le sang des autres - Musik II (2:49)
05. Remembering 1945 (3:20)
06. Remembering 1945 (2:58)
07. Roseland Rose (2:30)
08. Street Games (2:00)
09. Sweet Melody (3:14)
10. The mad race (3:12)
11. Theme pour une ombre (2:57)
12. Theme Sport (5:50)
13. Theme ville - Folk (4:40)
14. Three, two, one Love (3:38)
15. Un amour de pluie (4:18)
16. Un amour de pluie (1:58)
17. Un amour de pluie (5:23)
18. Voizure de ville (3:56)
19. Waiting for a call (1:10)
20. Wings of heart (5:00)

Wings of heart 

La Linea (OST)

All those old enough to watch TV in the 1970s should be familiar with that big-nosed cartoon character drawn as a single outline around his silhouette, walking on an infinite line of which he is a part: LA LINEA (also called Lui). Along with his distinctive outline, another unique feature of this popular character was the fact that he - to put it mildly - did not hold back his opinions, ranting, griping, sneering and gloating to his heart's content. La Linea's creator was the Italian cartoonist, Osvaldo Cavandoli, who recalls that he had the inspiration to "reduce everything to one line and express everything I wanted to say with this line" whilst tidying up his desk. Starting in 1972, around 100 episodes were broadcast in 40 countries. La Linea was Cavandoli's greatest success. He received a number of awards for his animations and was made a freeman of the city of Milan. Osvaldo Cavandoli died in 2007 at the age of 87.

An important feature of La Linea's success was the unique voice of the little hothead, who spoke, or rather ranted, in a fantasy language, which occasionally sounded like Italian, but was understood all over the world. His gibberish was not, as has been claimed, processed in any way but recorded by the great Italian voice actor Carlo Bonomi. Totally without technical aids, using nothing but his unusually multi-faceted voice and versatility, he made Mr. Linea's legendary temperamental outbursts audible. But these little cartoons were also supported by wonderful music, composed by a number of advertising jingle specialists, initially mainly by Franco Godi, later mostly by Corrado Tringali: wonderfully cheerful, swinging easy-listening gems, occasionally with hints of Latin music, which upon careful listening reveal that they were created not only as background music. BUREAU B have released the music from all episodes on CD, supported by two modern remixes. To liven up the CD further, the ever-popular Mr. Linea pipes up occasionally with a spiteful laugh or throws a little fit of rage.

tracks

01. Countodwn Uno [Dip Di Casa Mix]

02. Linea Cinque Impaziente (Risata Uno)

03. Liinea Tre Jazz Rapido

04. Zampognaro (Linea Preludio)

05. Linea Cinque Originale

06. Lui Commento Linea Tre Jazz Rapido

07. Linea Uno Voce Originale

08. Badubadu (Linea Sei)

09. Countdown Due [Linea Battuto Mix]

10. Sonatore Di Wild West

11. Baiubadu (Linea Due)

12. Linea Cinque Variante

13. Linea Cinque Bossa

14. Risatu Due (Linea Cinque Rock)

15. Linea Amore (Linea Cinque Midi)

16. Linea Quattro

17. Linea Cinque Chitarra

18. Baiubadu (Linea Due)

19. Trazom A. W. Edit

20. Vent'Anni Dopo

21. La Linea Sequito 206 Chitarra (Badubadu)

22. La Linea Seguito 125 (Baibadu)

23. La Linea Seguito 132 (Dudidubadu)

24. La Linea Seguito 8 (Dibidibidi)

25. Baiunbadu (Linea Due) Finale

26. Dankeschon

Countodwn Uno [Dip Di Casa Mix]

The Very Best Of Booker T & The MG's

As the house band at Stax Records in Memphis, TN, Booker T. & the MG's may have been the single greatest factor in the lasting value of that label's soul music, not to mention Southern soul as a whole. Their tight, impeccable grooves could be heard on classic hits by Otis Redding, Wilson Pickett, Carla Thomas, Albert King, and Sam & Dave, and for that reason alone, they would deserve their subsequent induction into the Rock & Roll Hall of Fame. But in addition to their formidable skills as a house band, on their own they were one of the top instrumental outfits of the rock era, cutting classics like "Green Onions," "Time Is Tight," and "Hang 'em High."

The anchors of the Booker T. sound were Steve Cropper, whose slicing, economic riffs influenced many other guitar players, and Booker T. Jones himself, who provided much of the groove with his floating organ lines. In 1960, Jones started working as a session man for Stax, where he met Cropper. Cropper had been in the Mar-Keys, famous for the 1961 instrumental hit "Last Night," which laid out the prototype for much of the MG's (and indeed Memphis soul's) sound with its organ-sax-guitar combo. With the addition of drummer Al Jackson and bassist Lewis Steinberg, they became Booker T. & the MG's. Within a couple years, Steinberg was replaced permanently by Donald "Duck" Dunn, who, like Cropper, had also played with the Mar-Keys.

The band's first and biggest hit, "Green Onions" (a number three single in 1962), came about by accident. Jamming in the studio while fruitlessly waiting for Billy Lee Riley to show up for a session, they came up with a classic minor-key, bluesy soul instrumental, distinguished by its nervous organ bounce and ferocious bursts of guitar. For the next five years, they'd have trouble recapturing its commercial success, though the standard of their records remained fairly high, and Stax's dependence upon them as the house band ensured a decent living.

tracks
01. Green Onions (2:55)
02. Chinese Checkers (2:29)
03. Groovin' (2:45)
04. Soul Dressing (3:00)
05. Boot-Leg (2:07)
06. My Sweet Potato (2:43)
07. Slim Jenkin's Place (2:31)
08. Booker-Loo (2:29)
09. Hip Hug-Her (2:26)
10. Mo' Onions (2:55)
11. Soul-Limbo (2:26)
12. Hang 'Em High (3:55)
13. Time Is Tight (3:16)
14. Mrs. Robinson (3:41)
15. Slum Baby (2:40)
16. Melting Pot (3:49)

Green onions

The time is tight

Midnight In The Garden Of Good And Evil

The soundtrack to Clint Eastwood's Midnight In The Garden Of Good And Evil brings to life the film's sordid tale and colorful cast of characters, making use of the music of Johnny Mercer to do the job. The album's roster boasts a wide variety of singers renowned for their interpretations of standards. Paula Cole gives an ominous treatment to "Autumn Leaves, and k.d. lang blesses "Skylark" with her trademark breathy stylings. Cassandra Wilson simply astounds in a smoldering, timeless take on "Days Of Wine And Roses," while Alison Kraus lends her fragile, endearing voice to "This Time The Dream's On Me." For good measure, the album features several tracks by stars perhaps better known for non-singing endeavors: Clint Eastwood himself jauntily tackles "Ac-cent-tchu-ate The Positive" and the film's star Kevin Spacey displays some impressive crooning on "That Old Black Magic."

tracks:
01. K.D. Lang - Skylark (3:49)
02. Joe Williams - Too Marvelous For Words (3:40)
03. Paula Cole - Autumn Leaves (5:08)
04. Rosemary Clooney - Fools Rush In (Where Angels Fear To Tread) (4:11)
05. Brad Mehldau - Dream (5:09)
06. Cassandra Wilson - Days Of Wine And Roses (4:46)
07. Kevin Spacey - That Old Black Magic (3:32)
08. Alison Eastwood - Come Rain Or Come Shine (4:31)
09. Clint Eastwood - Ac-cent-tchu-ate The Positive (3:37)
10. Alison Krauss - This Time The Dream's On Me (3:46)
11. Kevin Mahogany - Laura (4:50)
12. Diana Krall - Midnight Sun (4:00)
13. Joshua Redman - I'm An Old Cowhand (From The Rio Grande) (5:02)
14. Tony Bennett - I Wanna Be Around (2:09)

Engelbert Humperdinck ~ Release me (1967)

In 1967,Humperdinck cut a pop-ballad version of "Release Me," previously a hit for country singer Ray Price and R&B chanteuse Esther Phillips; Humperdinck's cover made the song a standard. Given some exposure by the singer's last-minute addition to a bill at the London Palladium, it rocketed to the top of the British charts and sold over a million copies, ultimately keeping the Beatles' seminal double-sided hit "Penny Lane"/"Strawberry Fields Forever" out of the top spot. It also went to number four in America, where the accompanying album made the Top Ten.

tracks

01. Release Me (3:18)

02. Quiet Nights (2:39)

03. Yours Until Tomorrow (2:51)

04. There's A Kind Of Hush (3:00)

05. Ten guitars (2:37)

06. This is my song (3:25)

07. There Goes My Everything (2:53)

08. Take my heart (2:28)

09. My World (Il Mondo) (3:05)

10. Talking Love (3:04)

11. Walk Through This World (2:16)

12. How Near Is Love (2:42)

How near is love 

Engelbert Humperdinck (1969)

tracks

01. I'm a better man (2:48)

02. Gentle on my mind (2:50)

03. Love letters (2:20)

04. A time for us (2:59)

05. Didn't we (4:05)

06. I wish you love (3:53)

07. Aquarius/Let the sunsine in (3:47)

08. All you've got to do is ask (2:53)

09. Signs of love (3:17)

10. Cafe (2:59)

11. Let's kiss tomorrow goodbye (2:38)

12. Winter world of love (3:20)

Cafe 

The Anita Kerr Singers ~ The Genius in Harmony (1962)

tracks

01 Drown in My Own Tears
02 Yes Indeed!
03 Georgia On My Mind
04 Alexander’s Ragtime Band
05 Hard Times
06 What’d I Say
07 Swanee River Rock
08 What Would I Do Without You
09 Hit the Road Jack
10 I Believe to My Soul
11 Ruby
12 I Got a Woman

Every Kind Of Mood ~ Randy, Randi, Randee

Every Kind of Mood may not quite deliver on the promise of the title, but it's nevertheless a fine collection of smooth urban R&B and adult contemporary pop. To her credit, Randy Crawford decides to push forward a little bit -- for every schmaltzy "Captain of Her Heart," there's something as stylish and unexpected as the cover of Massive Attack's "Hymn of the Big Wheel." It's moments like "Big Wheel," "Are You Sure" and the version of Aretha Franklin's "Johnny" that make Every Kind of Mood an engaging listen.

tracks
01. Breaking Down (4:26)
02. Bye Bye (3:57)
03. I'd Be An Angel (4:49)
04. Unwounded (3:09)
05. Are You Sure (4:31)
06. Sweet Regine (4:13)
07. Johnny (2:44)
08. Let It Rain (3:53)
09. Silence (3:47)
10. Changes (4:42)
11. Almaz (4:30)
12. Captain Of Her Heart (4:58)
13. Wishing On A Star (4:52)
14. Honey For My Honey (4:26)
15. Hymn Of The Big Wheel (6:01)

Captain Of Her Heart

Engelbert Humperdinck ~ Another time, another place (1971)

Unlike the previous albums, "Another time, another place" brings something completely new and, why not, refreshingly unusual.  It wasn't a chart buster, however you cannot deny it its originality and a novelty concept that took Engelbert's music into a different direction.

tracks

01. Another time another place (3:00)
02. Help me make it through the night (2:33)
03. Our love will rise again (2:42)
04. Talk it over in the morning (2:36)
05. There's an island (3:23)
06. Revivin' old emotions (2:43)
07. Nashville Lady (3:20)
08. Morning (2:32)
09. Twenty miles from home (2:41)
10. Days of icy fingers (2:25)
11. I'm holding your memory (But he's holding you) (3:06)

Help me make it through the night

Fausto Danieli ~ Reverie en Sax

Very nice record with fine selection of classical tunes nicely arranged in lounge style.

tracks

01 Etude No 3 (Chopin) (3:45)
02 Aria (Bach) (3:57)
03 Reverie (Schumann) (2:12)
04 Largo (Handel) (3:36)
05 Eine Kleine Nachtmusik (Mozart) (1:54)
06 Ave Maria (Schubert) (2:49)
07 A la Turca (Mozart) (2:59)
08 Romance in F (Beethoven) (3:24)
09 Adagio (Albinoni) (3:23)
10 Fur Elise (Beethoven) (3:06)

Martin Böttcher ~ Sacramento (1972)

tracks

01 Sacramento 02:44

02 The Good, The Bad And The Ugly 02:55

03 Fiesta In Belo Horizonte 02:45

04 I Will Return 02:20

05 High Noon 03:48

06 Bonanza 02:22

07 Spiel mir das Lied vom Tod (The Harmonica Man) 02:49

08 (Is This The Way To) Amarillo 03:15

09 Campo Limpo 04:06

10 Fiesta In Banana City 02:35

11 The Young New Mexican Puppeteer 02:32

12 Olé O'Cangaceiro 03:33

Bent Fabric ~ Alley Cat

Bent Fabric's simple piano foxtrot number, "Alley Cat," is one of those tunes we all know but hardly anyone recognizes. First hitting the radio and record charts in Denmark in 1961, by the end of 1962, it was a worldwide hit, selling over a million copies, and placing in the Top 40 in Europe, the U.K., Australia, and the United States. Simple enough for even beginning piano students to play, "Alley Cat" sold over 500,000 copies in sheet music within the first two years of its publication.

tracks:
01 Alley Cat (2:24)
02 Across The Alley From The Alamo (2:11)
03 You Made Me Love You (3:03)
04 Trudie (1:56)
05 Markin' Time (1:38)
06 In The Arms Of My Love (2:28)
07 Delilah (2:15)
08 Catsanova Walk (1:58)
09 Symphony (2:19)
10 Early Morning In Copenhagen (2:22)
11 Comme Ci, Comme Ca (2:06)
12 Baby Won't You Please Come Home (2:50)

The Anita Kerr Singers ~ 'Round Midnight (1981)

One outstanding album, on par with "My Colouring Book" 

tracks
01. Let's do it (4:34)
02. 'Round midnight (3:08)
03. Lullaby of Birdland (2:50)
04. Blues in the night (4:34)
05. How deep is the ocean (3:27)
06. It's all right with me (2:23)
07. It's all right with me (3:23)
08. Don't get around much anymore (4:15)
09. String of pearls (2:43)
10. I've grown accustomed to her face (3:47)
11. The party's over (3:33)

Lullaby of Birdland 

Brazilian Tropical Orchestra ~ The Music of Antonio Carlos Jobim

The music of Antonio Carlos Jobim reaches a new dimension in feeling when interpreted by the "Brazilian Tropical Orchestra". This marvelous strings and brass orchestra with a Brazilian typical chorus will re-explore the bossa-nova and romantic samba for you creating a real "saudade" mood while you listen. If you close your eyes listening to this CD you will find yourself walking on the sands of Copacabana Beach in Rio or perhaps the seashore in Bahia. What an album! What an orchestra!

tracks

01. Gabriela (2:55)

02. Anos Dourados (3:50)

03. Borzeguin (4:28)

04. Passarim (3:50)

05. Samba de Uma Nota Só (3:15)

06. Desafinado (3:55)

07. Dindi (3:07)

08. Corcovado (3:00)

09. Só em teus Bracos (2:16)

10. Esse Teu Olhar (2:45)

11. Garota de Ipanema (3:02)

12. Águas de Marco (3:11)

13. Eu Sei Que Vou Te Amar (3:16)

14. Retrato em Branco e Preto (3:10)

15. Bebel (3:12)

16. Se Todos Fossem Iguais a Você (4:45)

17. Luíza (4:39)

18. Wave (3:15)

19. Chovendo na Roseira (3:54)

20. Insensatez (3:58)

Helmut Zacharias ~ Romance

tracks

01. What A Wonderful World (2:20)
02. A Man and a Woman (2:50)
03. Honey (2:24)
04. Someone to Watch Over Me (2:06)
05. Cherry Pink and Apple Blossom White (2:29)
06. This Guy's In Love With You (3:21)
07. Orfeu Negro (2:45)
08. Love is A Many Splendoured Thing (2:40)
09. Tara's Theme (3:01)
10. Jeux Interdits (3:30)
11. Speak Softly Love (3:25)
12. Windmills Of Your Mind (3:02)
13. As Time Goes By (3:35)
14. The From schindler's List (3:53)
15. Moon River (2:48)
16. Ramona (2:21)
17. Unforgettable (3:12)
18. Glory Of Love (2:11)
19. Love Story (3:45)
20. La Vie En Rose (2:01)
21. True Love (2:25)
22. Somewhere My Love (2:58)
23. Born Free (3:19)
24. Romance (2:33)
25. The Last Waltz (2:49)